Zombies, Swine Flu, and Kindling: What a Difference 6 Months Makes

Wow! I did not realize it was THAT long since I had posted here. I blame the day job, which is often the evening job and weekend job as well. Fortunately that job is going well and I am racking up kudos for my blog posts on marketing. I am also getting quite adept at the social media thing. (Here's a link to a personal post where I rounded up 19 things you should do if you want to promote your company, band, film, book, profile).

A lot of people are somewhat familiar with some of the social media basics, but it is how you employ them all in concert that makes social networking work, from Twitter to Facebook and LinkedIn, to your blog, your pics, your videos, your tr.ims, your stats and your Google Analytics (which reminds me, I need to add these last few to the list, maybe: Hey 19, Part 2, the Remix).

What has this got to do with art? Everything. There may be some artists who seek obscurity (like the Buddhist monks in Shangri-La that were on PBS last night). But most art is intended to be experienced. And that seldom happens without a push from somewhere. Consider Jeremy Dean, the Brooklyn-based artist who created the indie doc Dare Not Walk Alone (that I had the honor of producing). He has been cooking up some cool conceptual art for several years now, but it was connecting with a gallery that gave his private art a push in the public direction. Jeremy will be showing at big art events in December and March and already has some cool art video online.

Speaking of that aspect of pushing art forward which is often referred to as "publication" and/or "distribution," we are seeing the "and/or" converge taking place right now in technology like Amazon's Kindle. You can now read Kindle books on your iPhone and PC as well as on the actual Kindle device.

Which brings me to the book I wanted to review here: World War Z: An Oral History of the Zombie War. This is a novel by the first "new" author I have read entirely on the iPhone. The book came out in print a few years ago and sold well. It is currently around #300 on Amazon. But the book is in several top 10 lists on Kindle, which is how I came to see it while using Kindle on my iPhone. I was intrigued enough by the reviews to download the free preview and on reading that I figured I would like the book, so I paid for the full Kindle version.

There were three things that I enjoyed about World War Z. First and foremost I admired the extent to which author, Max Brooks, had thought through all the implications of zombieism (sp?). Then he extrapolated a new reality from a defined set of data: zombies eat flesh, zombies can only be killed by destroying the brain, zombies can survive under water, zombieism spreads through biting and the dead re-animate after infection, and so on. The book explores the logical and logistical end game. By doing so it reveals worrying weaknesses in current technology, science, cultures, and religions. (Hint, this is a global catastrophe of 2012 proportions.)

Second, the narrative structure created by the interview excerpt device was refreshing and very effective. You learn very little about zombies or the war through direct description. You get most of it by inference. And you get a lot of rich characters too, which keeps things fresh. Brooks is skilfull at giving each a unique voice and strong presence, using little more than their recorded words. He also manages some great humor of the dark, battlefield kind.

Third, I found this to be a fascinating book to read against the backdrop of the global H1N1 Swine Flu pandemic. Indeed, I think that may be part of the reason for the book's success, the series of epidemics the world has been seeing, coming from far distant places right into our everyday lives and forcing us to think hard about a lot of things we would rather keep to the back of our minds.

I am not a big fan of horror stories, particularly ones that dabble in the supernatural. The genius of World War Z is that Brooks makes fighting zombies seem very real and anything but a figment of the imagination. Consider this: In talking about the book over dinner one night I found myself saying "If this zombie thing ever happened for real, it would be really bad." Talk about willing suspension of disbelief.

Two Good Books and a Movie: Avoid if you're feeling blue

The common element in stuff I've been reading and watching lately is this: It could really bring you down. We're talking about the suffering and death of millions of people here. So you've been warned. On the other hand, these are stimulating works, they might make you think a lot, and then you might have some new thoughts about how things could be made better. Then you could act on those thoughts and the world would become a better place. I guess we'll see.

First up is the movie Body of Lies. Great photography and editing. Great casting and acting. And a gripping story without a cheesy ending. To me this film was drenched in authenticity. AFAIK, what you see in this film is very close to how things really are in the field of espionage, as in "espionage in the field" and the people who run it, both locally and remotely.

As Far As I Know, there is this huge gap between remote agent and central office--the controller cheering his kid's suburban soccer game or taking his son to the bathroom, while calling in the kill--which suddenly collapses with a plane flight into the field. Then it zooms back into the clinical and chilling detachment of eye-in-the-sky operational monitoring and direction (with echoes of Patriot Games and The Bourne Supremacy but with great real world moral ambivalence). We are left in no doubt that local assets, people we turn when we pursue humint, are considered expendable, and there's a school of thought that says this is the way it must be. You rarely see that portrayed as bluntly as it is in Body of Lies.

Second up is the novel, Timebomb, which echoes that same theme of the expendable asset, with deeper historical context as to how it arose. The action here is in Europe, from the UK to the eastern Soviet bloc, but present day, so we have disaffected Russians, Jewish mobsters, and Middle Eastern terrorists. Again the operational authenticity is there, but layered into the basic spy v. terrorist story you find the horrific story of a Polish death camp. And this "second" story is not pasted on, it is integral to the picture that Seymour paints of hate and fear breeding more of the same.

The author of this thick but very readable thriller is Gerald Seymour, a former ITN television news reporter, back when that title meant you got a lot of experience reporting in the field (he covered the Munich Olympics massacre and the Great Train Robbery, and spent time reporting from Vietnam and Northern Ireland). Relatively unknown in the States, judged by a dearth of Seymour titles on the shelves of two different Barnes & Nobles I have visited in the last three months, Seymour is a consistent best-seller in the UK and has penned a string of excellent novels.

For me, his The Walking Dead A Thriller is the definitive novel about suicide bombing. One of my guilty pleasures on a trip to the UK is stocking up Gerald Seymour novels (not sure why I said "guilty" because "stupid" is more apt--I have to drag the things home on the plane and you can actually order online in the U.S.).

On a literary note, these books rise above the "thriller" tag for me, much like LeCarré's work. Seymour's style is faster-paced but the depth is there. His trademark technique is weaving multiple points-of-view. There are no "main" characters but rather a half dozen or more people that we follow throughout the book. The fun part is deciding who's POV you're getting at the start of a new section. A rare case of entertainment tastefully blended with substance.
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The last review is 1491 and there's an inverse relationship between the amount of truly fascinating content in this book and the brevity of its title. (Okay, so the full title is 1491: New Revelations of the Americas Before Columbus but what I'm saying is, this book is stuffed with good stuff.)

This such a good book I am now reading it for the second time. I don't read many books twice, so this is quite the accolade (others so honored in my post-college life include Gibson's Neuromancer and Count Zero, and Doctor Wooreddy's Prescription for Enduring the Ending of the World, the latter having more than enough ironic content to warrant the long title).

What I'm doing with 1491 right now is dipping into several different sections at once. It is a testament to author Charles C. Mann's superb writing that one can do this. I can flip from the amazing city of Cahokia on the Mississippi to the dozens of feuding Mayan city states. I can read about the vast earthworks of the Beni and the sophisticated aquaculture of the Amazon, then travel via Norte Chico, a Peruvian civilization older than Egypt, to the indigenous forest-scaping of the North Eastern U.S. And all the while I can follow the plot, which is basically this: America was a heavily populated and highly civilized land before contact with the Europeans.

That many millions of people died as a result of European arrival in the Americas, either killed in conflict or killed as a consequence of contact, is now clear. This truth had been slowly emerging in scientific papers and publications for decades, but Mann has pulled all of the data together and the effect is almost overwhelming. I had long suspected that the sophistication and scale of indigenous culture and civilization was being ignored or suppressed.

With a minimum of moralizing and finger-pointing Mann documents the whole sorry story. He leaves others to state the obvious conclusion: Americans of European origin stole this land and we did our best to destroy the civilizations that once thrived here. It took less than 500 years to erase tens of thousands of years of human history, hundreds of languages, scores of magnificent cities, dozens of libraries, and millions of people.

I believe that many of the consequences of this history have yet to be played out. After all, the consequences of ancient conquest in the Middle East are still shaping events today, and our post-imperial ahistorical ineptness in dealing with them is still causing problems, some of which can be seen in a film like Body of Lies or a book like Timebomb. Watch and read, just try not to get too depressed about it.

(Note: In the interests of full disclosure, all the above links are to Amazon through my Associates account. That doesn't add anything to the price but it means that this blog gets a small kickback from Amazon when you buy from these links.)

40th NAACP Image Awards on Fox TV Feb 12 at 8PM

Since Roger Moore over at the Orlando Sentinel mentioned the NAACP Image Awards being on BET, I thought I would point out they are on Fox TV, 8pm Thursday, Feb 12 (check the schedule here).

And for those who are late joining the party, Dare Not Walk Alone is up for an award: Outstanding Documentary. The competition is stiff: CNN, ESPN, HBO, and an Oscar-nominated indie film, Trouble the Waters. We are hoping that the nomination of DNWA will raise awareness of the film, whether it wins or not.

Underrated Female Soul Singers by Vivrant Thang

Just found this great list: My Favorite Things: Underrated Female Soul Singers. Complete with links to check them out. Very handy. Much appreciated Vivrant.

Am now adding this to my "Things to do on the net when I have a few spare moments and some decent bandwidth."

Update: Already bought Pleasureville by Lizz Fields. Excellent listening. Good songs, creatively arranged, delivered with way more soul than most highly paid performers can seem to muster these days. Some of the arrangements are unexpected, but in good way. Now have "Daddy's Cadillace" and "The Road to Pleasureville" on my drive time CD.

Doctor Wooreddy Still One of the Best Novels Ever?

Just a quick reminder for anyone who has not read "Doctor Wooreddy's Prescription for Enduring the Ending of the World" by Mudrooroo. It is still one of the ten best English language novels of the last one hundred years, IMHO.

You can still order it from Amazon and no, I'm not making any money off that link. I just think it's a pity more people don't know of this book. As one reviewer said: "I can think of no other [twentieth century novel] that tells a tale of such utter tragedy and suffering with such a coherent equanimity of feeling and purity of wit."

Okay, so that reviewer was me. But again, it's not like I have shares in this book.

Dare Not Walk Alone: the film, the DVD, and the debate about race, politics, and equality: Powerful Civil Rights Film Now On DVD

Dare Not Walk Alone: the film, the DVD, and the debate about race, politics, and equality: Powerful Civil Rights Film Now On DVD

Hackers Are People Too Debuts to Cheers Not Boos

We're delighted to report that Ashley Schwartau's debut production, Hackers Are People Too, debuted to applause and standing ovation at the DefCon premiere.

Read Ashley's account of the evening here. She really had the whole indie experience with audio issues and first-time nerves, but it all came good by the closing credits. Like Ashley says, DefCon is a tough crowd. But she wowed them. And sold 600 copies of the DVD!

You can buy your copy here.

Way to go Ash!